Your homework prior to listening to Episode 50 is to watch this video of Bill Munns’ Texas Bigfoot Conference presentation “Patterson-Gimlin Hominid: Extraordinary costume or extraordinary reality?”
Episode 50 show prep
Tagged with: Bill Munns, North American Wood Ape Conservancy, Patterson-Gimlin film, Texas Bigfoot Conference
Posted in Miscellaneous sasquatchery
Posted in Miscellaneous sasquatchery
Interesting, well worth the watch.
[…] he has. What I saw in Texas was a point by point dissection of the figure on the film and how it is more like a real living […]
The MASK – This is obviously what he could imitate as far as the video goes. I believe that Patterson could not make a ape face so came up with fur across the face under the nose. Leaving just the eyes visible.
The SHOULDERS – There is no way to tell what is under the costume, such as padding.
The LEGS – once again, you cannot tell what is used under the costume. The test subjects were obviously not fitted with the costumes making them look rediculous.
STRETCHING – Would occur if the costume were glued to the padding under it.
Light and Dark on THIGH – Very simply a tale of the light on the costume.
I’m affraid that Mr. Munn’s is just seeing what he wants to see. I know that he very much experienced in his field, but I am sure someone just as qualified can get up there and give a very logical and detailed analysis on the same field proving why it is a costume.
Once again DEAD BODY will only be the proof that can determine the existance.
“I am sure someone just as qualified can get up there and give a very logical and detailed analysis on the same field proving why it is a costume.”
Yet no one has. Not even close.
[…] Episode 50 of The Bigfoot Show — Munnsapalooza! — has sauntered onto the internet like a hairy hominid walking down a creek bed in Northern California. On the show with Scott, Paul, Sam and Brian is Hollywood costume and make-up expert Bill Munns discussing his Texas Bigfoot Conference presentation, “Patterson-Gimlin Hominid: Extraordinary costume or extraordinary reality?” […]